Ruka married Egons Spuris, a famous Latvian photographer. Towards finished on the 1970s, she started her career in photography. In 2006, she worked on another photographic series, Neighbours. Additionally, she received a scholarship on the IASPIS for “two-month artist-in-residence” in Stockholm in 2007, and was given ” the very best award on the ‘Order on the Three Stars’ on the State of Latvia ” , ” Chevalier ” ( ” Knight ” ) , in 2009. Since finished on the 1980s, Ruka has had about twenty exhibitions alone both abroad and in Latvia. She gets also taken a role in an abundance of group exhibitions worldwide.
Ruka caused Rolleiflex cameras up until 2004. She would place the Rolleiflex camera on the tripod, and photograph using natural light, waiting until the very best light came. Anna Tellgren states that Inta Ruka works with gelatin silver printing paper. This shows her connection for an older generation. Ruka had followed the trail of portrait photography and in addition improved it. In step with Tellgren (2017) , Inta Ruka described the best way she worked as documentary. When focusing on her own projects, she was self-employed.
In step with Tellgren, Intaruka is fascinated by people and that is why she takes photographs. More specifically, she concentrates on individuals, not groups. She wants showing that every person features a meaning and purpose in society.
Ruka received a scholarship coming from the Hasselblad Foundation in 1998, the Spidola Award on the Latvian Culture Foundation in 1999 along with a scholarship coming from the Villa Waldberta in Feldafing in 2002. Twelve months later, the Artist’s Union of Latvia awarded her the ” Prize on the Year 2003. ”
Inta Ruka’s photographs have previously been presented in many important international exhibitions. In 1999, she took part in the 48th Biennale of Venice which finally publicised her name internationally. In 2006, the Photography Centre in Istanbul organised a big solo show of her photos. Before 2007, her photographs were shown with works by Wolfgang Tillmans, Boris Mikhailov among others inside the exhibition Inside the Face of History : European Photographers inside the 20th Century in the Barbican Arts Centre in London.
For 20 years, Inta Ruka has photographed the folks of Latvia – from 1984 to 2000, primarily inside the rural area of Balvi ( ” My Country People ” ) and, at some point, increasingly inside the capital of Riga. Inside the series People I happened to satisfy, she strikes up conversations with unknown people so that you can question them for any portrait. By comparison, in Amalias Street 5, she focuses upon the inhabitants of a specific ensemble of apartments in Riga. From the beaten an eye on the picturesque Old Town, using its extensive restoration, she provides an undisguised view upon the current state of flux in Latvia since its integration into your European Union.
Among photographers of the previous Soviet bloc countries, Ruka shares her documentary-anthropological approach with Antanas Sutkus and Boris Mikhailov ; internationally with others on the Americans Walker Evans and Dorothea Lange.